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Four Kinds of Rain (2006)
"Four Kinds of Rain is a great read.
Robert Ward has created a darkly comic masterpiece that keeps you
thinking long after the last page is turned." -Michael Connelly
"Four Kinds of Rain is feverish and funny, an end-of-the-dream
novel that could only have come from the very talented, slightly twisted
mind of Robert Ward." -George Pelecanos
"Noir for the lost. Heartbreaking, hilarious and oh so beautifully
written. A renegade prose poem to the loss and regret we carry like the
best rock 'n roll music, full of beauty and despair with the gonzo gift
of sheer immediacy." -Ken Bruen
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Grace (1998)
A fictional memoir about the writer's grandmother, a Civil Rights
activist in Baltimore.
"A book-length valentine written for and about a woman he clearly
adored." -New York Times
"Ward fashions many quietly beautiful moments...The disclosure of
the secrets in Grace's mysterious past culminates in a moving
revelation." -Publishers Weekly
"The story tumbles along from one insightful revelation to the
next...With the book that bears her name, Ward has given Grace a lovely
monument." -San Francisco Examiner-Chronicle
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The Cactus Garden
(1995) A machinegun-paced thriller about an undercover DEA agent trying to bust
a group of drug smugglers.
"The Cactus Garden is a righteous grabber...Read it and feel
your blood pressure accelerate." -James Elroy
"The action is fast, furious and violent, the double-crosses and
surprises keep coming." -Publishers Weekly
"A page-turner that delivers expert narrative and...memorable
characters...The constant changes of scene, multiple narrow escapes and
continual sharp banter among the characters help give the novel its
wired, hip quality." -Los Angeles Times
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The King of Cards
(1993) The semi-autobiographical novel of a gifted young writer's experiences
as a college student in the 1960s.
"The book's pulsing vitality -- as in the novels of Thomas Wolfe, a
writer of similar faults and virtues -- carries the day." -Publishers
Weekly
"A case of Sixties free spirits romping through wild adventures...a
sweet, deftly written novel that reminds you of Conroy, Kesey, and
Salinger all at once." -Digby Diehl, Playboy
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Red Baker (1985)
A Baltimore steelworker's life slowly falls apart after he loses his
job.
"Mr. Ward writes with a directness and sincerity that is increasingly
rare in these days of fashionable irony and high-tech literary
pyrotechnics...The reader...really does want to know what happens."
-Michiko Kakutani, New York Times
"A truly awesome achievement, a paean of power and intensity
directed toward a too often forgotten group, those American refugees so
cruelly displaced by the raw greed and economic convulsions in the heavy
steel industry. Red Baker is a remarkable novel." -James Crumley,
author of The Last Good Kiss
"They may not build 'em like they used to, but Red Baker is a
product that any working fella can damn well be proud of." -Time
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The Sandman (1978)
Anesthesiologist Dr. Cross' job is to alleviate pain but someone is now
accusing him of murder.
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Cattle Annie and Little
Britches (1977) The lives and adventures of two young women in the Old West who joined
the Doolin-Dalton outlaw gang and fell in love with two of its members.
"A fable for our children, from Jesse James to Patty Hearst. A love
story connecting the failure of love to the failure of the social
contract; honestly, even daringly perceived, and very beautifully
written." -James Baldwin
"Cattle Annie and Little Britches will undoubtedly be compared to
True Grit, a book I admire, but Cattle Annie and Little
Britches is a better book than True Grit. It is ranker, reeks
of all of life's sweet stinks, is funnier, and is written in a clear,
controlled language that vibrates on the page." -Harry Crews
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Shedding Skin (1972)
An autobiographical novel about a young man's journey across the United
States in the 1960s.
"The quintessential hippie '60s novel." -Publishers Weekly
"One of the finest novels to come out of the great social, psychic and
moral convulsion called the sixties." -Pete Hamill, author of A
Drinking Life "A novel in overdrive -- vulgar, outrageous, totally hyperbolic,
exceptionally funny, and written with an uncommon attention to the
wonders of language...superb." -Sheldon Frank,
New York Times Book
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